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Gregory Stephen Tate (October 14, 1957December 7, 2021) was an American writer, musician, and Music production. A long-time critic for The Village Voice, Tate focused particularly on African-American music and culture, helping to establish hip-hop as a genre worthy of music criticism. Flyboy in the Buttermilk: Essays on Contemporary America (1992) collected 40 of his works for the Voice and he published a sequel, Flyboy 2, in 2016. A musician himself, he was a founding member of the Black Rock Coalition and the leader of Burnt Sugar.
In 2024, Tate was posthumously awarded a Pulitzer Prize, a Special Citation award.
Tate credited Amiri Baraka's Black Music and Rolling Stone, which he first read when he was 14, with stimulating his interest in collecting and writing about music. As a teenager, Tate taught himself how to play guitar. He attended Howard University, where he studied journalism and film.
In 1999, Tate established Burnt Sugar, an ensemble that varies in size between 13 and 35 musicians and blended a range of genres including funk, free jazz, and psychedelic rock. Tate, who played guitar and conducted the group, described it in 2004 as "a band I wanted to hear but could not find".
Tate's 1986 essay "Cult-Nats Meet Freaky Deke" for the Voice Literary Supplement is widely regarded as a milestone in black cultural criticism; in the essay, he juxtaposed the "somewhat stultified stereotype of the black intellectual as one who operates from a narrow-minded, essentialized notion of black culture" (cultural nationalists, or Cult-Nats) with the freaky "many vibrant colors and dynamics of African American life and art", trying to find a middle ground in order to break down "that bastion of white supremacist thinking, the Western art and worlds". His work was also published in The New York Times, The Washington Post, Artforum, DownBeat, Essence, JazzTimes, Rolling Stone, and VIBE. At Vibe he became a columnist in 1992, titling his series "Black-Owned". The Source described Tate as one of "the Godfathers of hip hop journalism". A key contribution was his conceptualisation of hip-hop as existing on a continuum with jazz, claiming for the former the level of cultural respect and inquiry the latter commanded.
In 1992, Tate published Flyboy in the Buttermilk: Essays on Contemporary America, a collection of 40 essays on culture and politics, drawn from his writing for the Village Voice. Writing for Pitchfork, Allison Hussey said, "It became a definitive work for Tate", treating subjects like Miles Davis, Public Enemy, and Jean Michel Basquiat. Jelani Cobb called the collection "a clinic on literary brilliance" with significant influence on other writers. This impact on subsequent generations of critics was one of Tate's major contributions, with Jon Caramanica writing that "he affected every writer I cared about and learned from — we're all Tate's children."
Tate often had the admiration of the musicians he wrote about, like David Bowie and Flea of Red Hot Chili Peppers; Flea cried in appreciation when Tate reviewed the Peppers' 1999 album Californication.
In 2003, Tate published Everything But the Burden: What White People Are Taking From Black Culture, an edited collection of 18 Black writers addressing the topic of white appropriation of Black art. The same year, he published Midnight Lightning: Jimi Hendrix And The Black Experience, an appraisal of the rock legend as a Black icon.
In 2016, Tate published Flyboy 2. In The New Yorker, Hua Hsu wrote that this follow-up to his first collection brought "into sharper focus" Tate's interest in what Tate described as “the way Black people ‘think,’ mentally, emotionally, physically,” and “how those ways of thinking and being inform their artistic choices."
Tate died of cardiac arrest on December 7, 2021, in New York City, at the age of 64. That night, the Apollo Theater in Harlem displayed his name on the marquee in remembrance, its usual response for cultural icons.
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